When I moved to Tampa, I frequently saw groups of street musicians downtown. A flautist and a violinist. A guitar trio. An electric guitarist and keyboardist. And so on. Once, there was even a five-piece Dixieland jazz band that was actually quite good.
But recently, all I see are solo musicians backed up by a rack of sequencers, drum machines and synthesizers designed to make them sound like they're playing with a whole band.
It's not that I have anything against such devices — I own and use such things myself — but it just cheapens the experience somehow. Their music sounds plastic and lifeless as they play slavishly along to a predetermined beat, rather than leading the music and imbuing it with that expressiveness which is inherently a part of live music.
For all of his rhythmic transgressions, the guy playing solo saxophone down by the city parking garage, with no equipment save his horn, comes across as more musical than the players chained to their phantom bands.